Right then, my usual potted review of my weekend (and a bit beyond) listening to new things:
Colleen: ambient electronica, mostly instrumental but some vocals. Kind of moves into the more electronic end of shoegaze/dreampop at times. I like this quite a lot.
Anthony Joseph: spoken word over jazz (Joseph is a Trinidad born but UK resident poet/vovelist). It's very good, reminds me of Gil Scott Heron, in some ways.
Grave Flowers Bongo Band: awful name, really. They're a breezy psych rock band who remind me a bit of King Gizzard or Oh Sees in their lighter moments. Well worth a listen.
David John Morris: the singer from Red River Dialect recorded this while on a 9 month retreat at a Buddhist monastery. It's quite sparse (much more so than RRD's records) and also rather lovely.
Antonis Antoniou: traditional Cypriot music blended with post-punk, electronica and post-rock (to a lesser degree). This is very, very enjoyable.
Fly Pan Am: vetern Canadian post-rockers and associates of GSY!BE. This is a bit more electronic than their last album (C'est ca). It was seemingly created in collaboration with a choreographer so meant for dancers (as opposed to dancing). It's interesting is my verdict.
FACS: their fifth album of fairly ferocious art-punk. What it lacks in hooks, it makes up for in muscularity. Bracing and, at times, exhilarating.
Steve Almaas: he's a veteran of the Minneapolis punk scene that brought us Husker Du and The Replacements.His new album (his sixth, I think) is an interesting slice of Americana/roots rock. Pretty good.
Mdou Moctar: Tuareg rock from Niger. Really good. The guitar is most definitely the star here.
Robert FInley: an autobiographical album from the veteran blues/soul man, produced by Dan Auerbach (who's clearly stayed busy in lockdown). This is very good. Finley has a great, somewhat lived in voice. Arguably the album this week you'd most likely play to your mate whose taste is a bit more mainstream than yours is.
Reigning Sound: more veterans. The first in a while from Greg Cartwright's (of The Oblivians) other band. This is a bit less frantic than The Oblivians were, a little less garage rock. A bit of a mix of psych and country really.
Gruff Rhys: as good as usual, although maybe a little less quirky. In some ways, I think this is Gruff's most Super Furryesque solo album. Keyboard/piano is very much to the fore instrumentally.
BLK JKS: indie rock from South Africa. This is their first album since 2009 (and only their second). It's very good. They remind me a bit of TV On The Radio sound-wise (maybe it's the more harmonised vocals) but with obvious African undertones (there are touches of desert rock). Really good.
Kasai Allstars: this came out a little while back. Their fifth album of what generally gets referred to as Congotronics (after the album series). This is basically the sound of a large group of people (they can feature up to 25 members) having tremendous amounts of fun. As such, it's a really enjoyable album.
Lambchop: it's okay. Plus point is that Kurt Wagner seems at least partly over his Vocoder fetish. Not sure the songs are that great and I'd love them to make an album more reminiscent of their early country-indiepop records or more reminiscent of their country-soul period (or something reminiscent of their quietly loud live shows of the early 2000s).
Billie Marten: her third album. It's a pretty good slice of major label post-folk pop. Intriguing. Also, she's a fan of alpacas, according to wikipedia and they're groovy.
Rosie Tucker: punkish singer songwriter. A similar sound to Speedy Ortiz. Perfectly fine, I'm sure, just not it's to my taste.
Johanna Samuels: I seem to have group all of the female singer-songwriters together this week, not intentional, just the order I listened to things. Anyway, high quality folk rooted songs with some interesting instrumentation and production. Tis good.
Allison Russell: as mentioned a few posts back by
@Mickdundee, this is the solo debut by the co-leader of Birds of Chicago. I didn't realise she was one of the members of the all female folk supergroup, Our Native Daughters, which is relevant, given that one of the obvious comparisons is Rhiannon Giddens. This maybe has more jazzish overtones than GIddens' music, which tends to be more tradtionally folkish.
Cult of Dom Keller: dark hearted psychedelic rock from Nottingham. They're never short of ideas. Starts off almost poppishly, goes industrial in the middle, ends epically. It's very good.
Album of the week: it's a tight call as usual but I'm going to say that it's a tie between Antonis Antoniou and BLK JKS. I guess technically it should go to the latter as their album was actually released this week. The David John Morris album runs them close, as does Johanna Samuels, and Gruff is basically Gruff so I always find it difficult to judge his albums alongside other artists (see also Mogwai, Tindersticks, PJ Harvey, The National, Nick Cave and several others).