chriswallace85
Striker
All ower.It’s Hayley McQueen when she was younger. I still would lol
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All ower.It’s Hayley McQueen when she was younger. I still would lol
I’m loving the tubescreamer. I’m an 80s boy so have to resist the urge to have that and chorus permanently onHow you finding that change?
I've got the SD-1. I got it as a boost for leads but it doesn't always do the job. I got Spark to try that as well - a little different colour but more of the same. I'll hoy them both on and it gets gnarly, but I don't think it gives the added decibels I'm after.
Also - whee's that in the avatar?
Is that a flanger I spy as well? Stick all 3 on and ya sorted for She Sells Sanctuary.I’m loving the tubescreamer. I’m an 80s boy so have to resist the urge to have that and chorus permanently on
People seem to forget that guitars come with a conveniently located volume knob.I try to leave plenty headroom on the amp. It's a funny thing - at the end of the day without toggling the volume control you can't boost a signal to create volume.
My favorite song. Hence 2 delays and the Gretschs lolIs that a flanger I spy as well? Stick all 3 on and ya sorted for She Sells Sanctuary.
It’s a great opening. Billy’s finest! I do believe he has his own sig White FalconMy favorite song. Hence 2 delays and the Gretschs lol
Yeah he has but WAY out of my price rangeIt’s a great opening. Billy’s finest! I do believe he has his own sig White Falcon
It's a lost art. I admit, I'm guilty of not using it enough myself. That said, in a live setting, which let's face it for most of us is a darkened pub with a set of lights right on top of you, playing a mix of loud rock covers, it's not the most convenient approach either.People seem to forget that guitars come with a conveniently located volume knob.
Buy the right amp and don’t just base your selection on wattage. Wind it on and use your volume knob to clean your tone for rhythm work and turn it up for lead breaks.
A lot of guitar players want a heavily distorted tone which kills dynamic range but hides flaws in their playing.
Play an acoustic and clean up your act.
Especially if the other members of the band have never heard the word volume.It's a lost art. I admit, I'm guilty of not using it enough myself. That said, in a live setting, which let's face it for most of us is a darkened pub with a set of lights right on top of you, playing a mix of loud rock covers, it's not the most convenient approach either.
Aye, that anarl.Especially if the other members of the band have never heard the word volume.
Drummers in particular!
Thats a really smoky dark burst there - looks a great blues guitar.Merry Xmas geetar players, all the best.
It plays toppa Country and Bluegrass for 40 years and the Xmas tree is mint.Thats a really smoky dark burst there - looks a great blues guitar.
14th neck joint - nice.
Ya trees shit mind!
Just finished the final bit of modification on my Melody Maker yesterday, so far it's had new tuners, strap locks, new knob, tonepros bridge & changed the pickup last night, removed the stock Gibson 491T & installed a red DiMarzio DP100 super distortion, sounds great, not much Gibson left on it apart from the body & the pot ( Paint job by Kev Bambra)
Nice paint job - Faceshredder Drummer IIRCJust finished the final bit of modification on my Melody Maker yesterday, so far it's had new tuners, strap locks, new knob, tonepros bridge & changed the pickup last night, removed the stock Gibson 491T & installed a red DiMarzio DP100 super distortion, sounds great, not much Gibson left on it apart from the body & the pot ( Paint job by Kev Bambra)
Aye that's the chap, top lad is Kev.Nice paint job - Faceshredder Drummer IIRC
I've got an Epiphone SG 400 Pro, Cherry, and can't fault it. Had it a few years now, paid £250 at the time.I dare not spend too much but I fancy a SG model. Does anyone have any experience of the Epiphone ones?. It's just to play along in the house with the Spark amp to ACDC and similar type music.