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SMB Film Thread 2025

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Son has seen 28 years later. This is his reveiw
“28 years later is shit. there’s a bloke with a newcastle top on and they sing blaydon races ”
 

The Last Bus.

Charming, if far-fetched, tale of a 91yr old man travelling from John O Groats to Lands End to fulfill his dead wifes wishes.

Timothy Spall is, as ever, excellent, but the filum was spoiled by OTT wokeism imo.

6/10.
 
28 Years Later (2025)

Danny Boyle. Alex Garland. A hell of a swing to turn the whole story on its head. I found myself absolutely enthralled and at times emotionally drained.

The stuff on how the rage has mutated and civilisation in mainland UK has adapted and regressed was superb, Garland’s writing in this is nothing short of spectacular. Boyle’s direction is anxiety inducing.

It could be an 8, it could be a 9. I’ve just got out the cinema so need a little time to digest but my immediate reaction is it’s excellent.

Oh and the ending is ballsy as fuck!
 
The Double - Richard Gere spy thriller from 2011. Lots of jumping to conclusions to move the story along. Couple of nice twists 5/10
 
Shoot to Kill (1947)

I didn’t recognise the cast (Russell Wade, Luana Walters, Edmund MacDonald, Robert Kent), but was perfectly happy to give this a crack. Hmm. It’s pretty poor. I don’t know if it was the heat affecting my brain and concentration, but even at 64 minutes, it felt like a confusing slog in places. The print quality and sound were ghastly.

It’s something about a corrupt DA, his new secretary, and investigative reporter, three gang bosses and a wrong un convicted on phoney testimony. There were flashes of interest, but the acting was quite poor in places, and it didn’t really hit any of the right notes. Best bit was some bloke playing the piano like a man possessed.

3/10

Man Detained (1961)

This was better. A safe is robbed, and the company secretary phones the rozzers (Bernard Archard, great, again). The company boss is furious, and insists that the thief only made away with £20 in petty cash. The thief actually got away with ten grand.

Nicely-paced, clear, no-frills, no messing Edgar Wallace adaptation. Had me engaged throughout. Not because it’s great or anything, but because it set its stall out to present a simple mystery/crime caper, and it does it well. Everything is serviceable and succinct. The jaunty soundtrack would be offputting to some, but I felt that it kept the tone fresh without turning it into a farce.

6/10
 
Never Back Losers (1961)

Another enjoyable EWM entry.

Jack Hedley is an insurance investigator looking into the car accident of a jockey who is suspected of having thrown a race. He meets the replacement jockey, Larry Martyn, his sister (Jacqueline Ellis) and various underworld shady characters, unravelling rivalries in betting syndicates and other disreputable ventures.

By now, you know what you’re going to get. Not much character development, but a generally entertaining and pacy story. Some of the characters are genuinely engaging, such as Patrick Magee’s betting boss, and Hedley puts in a quality turn, so even though they don’t really develop in the hour they’re given, they hold your attention for what they are. They feel like actual players in a story, rather than just drivers of it.

Again, neat and compact.

6/10
 
The Koker Trilogy by Abbas Kiarostami.

Where is the Friend's House? (1987) 9/10
A schoolboy in remote northern Iran realises he took another's boy's book home. He sets out to the next village to return it, meeting lots of characters along the way. Very affecting.
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And Life Goes On (aka Life, and Nothing More) (1992) 9/10
Two years after the above film was made, the region was hit by a major earthquake. The entire village of Poshteh, central to the first film, was wiped out. Mixing fact and fiction, a film director goes there to find out what happened to the children from the first film. Did they survive? Incredibly poignant, and also uplifting.
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Through the Olive Trees (1994) 10/10
Another testing of the boundaries of fictional filmmaking. Taking place during the making of the second film of the trilogy, this focusses on an actor who has fallen in love with the actress playing his wife. His obsession begins to destabilize the entire production. For me, marginally the best of the three films, though they're all terrific.
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The Runner (1984) 10/10
Breathtaking film by Amir Naderi following the daily life of a plucky orphan boy in the Iranian city of Abadan. Few films match it for a sense of place. (I looked up what happened to the boy playing the lead - he emigrated to the US and is now an educational administrator in California.)
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Every Time We Say Goodbye (1986) 7/10
The lowest grossing Tom Hanks film. He made it immediately after Big, and it got slated by the critics - who apparently resented him for attempting to move beyond comedy. In the context of his later career, it doesn't seem the big stretch that they claimed. Here he plays an American pilot flying with the RAF in Jerusalem. He starts seeing a sephardic jewish woman - against the wishes of her family.
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Architecton (2025) 8/10
Documentary in the 'visual symphony' style. Begins with stunning drone footage of bombed apartment blocks in Ukraine. Also some great footage of the Roman ruins of Baalbek - a place I've wanted to go back to since I was there in the 90s, but it's rarely been safe.
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