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SMB Film Thread 2025

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Here are all the things wrong with this idea

  1. They're remaking Starship Troopers. They shouldn't be remaking Starship Troopers
  2. It's not Paul Verhoeven
  3. They're remaking Starship Troopers. They shouldn't be remaking Starship Troopers
  4. Elysium
  5. They're remaking Starship Troopers. They shouldn't be remaking Starship Troopers
  6. Chappie
  7. They're remaking Starship Troopers. They shouldn't be remaking Starship Troopers
  8. Demonic
  9. They're remaking Starship Troopers. They shouldn't be remaking Starship Troopers
  10. Gran Turismo
  11. They're remaking Starship Troopers. They shouldn't be remaking Starship Troopers
They’ll never remake burns like this, though.
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Completing my triple bill of weekend
British B movies…

The Third Alibi (1961)

Laurence Payne is a musician banging his wife’s half-sister (Jane Griffiths). He gets her up the duff and decides to ask his wife (Patricia Dainton) for a divorce. She refuses. Payne and Griffiths concoct a plan to murder Dainton and create the ‘perfect’ alibi.

Superior B picture that really makes the most of its premise. The latter half is very contrived and absurd, yet it all fits nicely together in the context of the scenario. I laughed out loud at a particular moment in the last ten minutes. It’s so corny. Yet bloody great. I loved it.

All the major players are above solid. Payne puts in a measured and frantic turn. It’s interesting that he was a novelist in addition to the acting roles. John Arnatt is super as a quietly slick and efficient police officer. Patricia Dainton is excellent as the wronged woman. I’ve seen her in a few things and she was a refined, capable lead. Dudley Moore is in his first role, uncredited in a small scene.

Co-written and directed by Montgomery Tully, this film bears his trademarks: economical, pacy and modestly enjoyable. It’s only 66 minutes (and on Amazon Prime) and firmly of its era. As usual with quota quickies of that era, the Radio Times Guide to Films gives it 1/5 and slates it. The reviewers in that ‘tome’ are clueless. They have no appreciation of context or provenance, and have such a joyless, miserable view of the world of British B films.

I give it 7/10. It was a cracking way to spend an hour - even a few drinks to the good it held my interest.
 
Black Book

I saw the trailer a few weeks ago and I thought it looked a bit shit. Also thought it was gonna be an all action/car chase/shootout type action thriller, but it really wasn't that at all. Much more 'cerebral', and all the better for it.

Really tightly plotted, sharply scripted modern spy thriller. Short and sweet at only 90 mins, had me hooked from the first minute to last. Fantastic performances all round. Thoroughly recommended.

9/10
 
Black Book

I saw the trailer a few weeks ago and I thought it looked a bit shit. Also thought it was gonna be an all action/car chase/shootout type action thriller, but it really wasn't that at all. Much more 'cerebral', and all the better for it.

Really tightly plotted, sharply scripted modern spy thriller. Short and sweet at only 90 mins, had me hooked from the first minute to last. Fantastic performances all round. Thoroughly recommended.

9/10
Obviously, that was meant to say Black Bag, not Black Book! (It's very early!)
 
Watched Back to future 2 last night and it's took all these years to realise the music sounds the same as on Predator. Sure enough it's the same bloke. Couldn't get past that and thought it didn't really go with Back to the future

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Watched Back to future 2 last night and it's took all these years to realise the music sounds the same as on Predator. Sure enough it's the same bloke. Couldn't get past that and thought it didn't really go with Back to the future

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Aye Alan Silvestri soundtracks all sound the same. Super Mario Bros with Bob Hoskins is another.
 
Moana 2
Hugely inferior (and unnecessary) sequel to Disney's best animated non Pixar movie in years.
Watchable but a pale shadow of the original.
5/10

Fight or Flight
Completely ridiculous action flick that knows exactly what is and makes no apologies for it.
I enjoyed this: brainless fun.
7/10
 
The Inquisitor [1981] 9/10
A wealthy man, suspected of murdering two girls, agrees to be questioned by Inspector Gallien on New Year’s Eve. What begins as a routine interview soon becomes a harsh interrogation.

80 minutes of Lino Ventura stoicly interviewing entitled Michel Serrault. A great cameo from Romy Schneider. I love one-location movies.
 
Lone Star (1996) 8/10
I'm a big fan of John Sayles, and I rated this as one of my favourite films ever when it came out. First time rewatching it since then...and it hasn't stood the test of time. The racial tensions on the Texas border are as relevant as ever, but it's a lot more soap opera-y than I remember.
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The Devil's Brigade (1968) 6/10
From the director of The Wild Geese. A renegade brigade of Canadians and Americans is put together for action in WWII. There's deep antagonism between the two nationalities (apposite now), but eventually they become a formidable fighting unit. The film takes an age to get going, and the battle scenes fall flat. William Holden plays his usual self. Dana Andrews - once a big star - gets a couple of lines in a bit part.
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While the City Sleeps (1956) 7/10
Dana Andrews in one of his last starring roles. The alcoholism that destroyed his career shows through. Fritz Lang makes a decent job of it, but the story about three rivals at a newspaper jostling to track down a serial killer, is hokum.
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Moana 2
Hugely inferior (and unnecessary) sequel to Disney's best animated non Pixar movie in years.
Watchable but a pale shadow of the original.
5/10


Fight or Flight
Completely ridiculous action flick that knows exactly what is and makes no apologies for it.
I enjoyed this: brainless fun.
7/10

Agreed. Although the bairn loved it. It missed not have Lin Manuel Miranda doing the tunes.
Set up for 3rd. Oh and the live action remake of the first one is out next year as well.
 
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