craigypants
Striker
The woman in cabin number 10. Think that's the title. Shamefully awful Guy Pearce performance. Dreadful shite that was apparently a novel. Fuck my eyes. 0/10.
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If you need to exorcise the memory of GP’s performance try watching Animal Kingdom, if you haven’t already. Great film and he’s very good in it, though he very much plays second fiddle to Ben Mendelsohn, who I always thought should’ve got an Oscar for his part in it. One of the best/worst ‘baddies’ I’ve ever seen.The woman in cabin number 10. Think that's the title. Shamefully awful Guy Pearce performance. Dreadful shite that was apparently a novel. Fuck my eyes. 0/10.
Yeah I've seen that. It is good. Some disturbing scenes but excellent viewing. Just think Pearce took a Netflix job for the money. Hope he buys something worthwhile. Or perhaps he produces movies/plays?If you need to exorcise the memory of GP’s performance try watching Animal Kingdom, if you haven’t already. Great film and he’s very good in it, though he very much plays second fiddle to Ben Mendelsohn, who I always thought should’ve got an Oscar for his part in it. One of the best/worst ‘baddies’ I’ve ever seen.
Kill Your Friends is on Netflix. Ten year old but I'd never heard of it.
It's like a weird mash-up of American Psycho, Layer Cake set in the 90s British music industry. Way better than the reviews would suggest, 7/10.
Downsides: features James Corden
Upsides:
he is beaten to death very graphically quite early on.
Ridiculous. Waste of a decent cast.The woman in cabin number 10. Think that's the title. Shamefully awful Guy Pearce performance. Dreadful shite that was apparently a novel. Fuck my eyes. 0/10.
Based on Greedys marras novel iirc.Kill Your Friends is on Netflix. Ten year old but I'd never heard of it.
It's like a weird mash-up of American Psycho, Layer Cake set in the 90s British music industry. Way better than the reviews would suggest, 7/10.
Downsides: features James Corden
Upsides:
he is beaten to death very graphically quite early on.
Aye I’m looking forward to this, I’m assuming it’ll be out next week. Don’t Netflix give it a week at the cinema before they release them now?New Kathryn Bigelow film looks decent. Can’t get to the cinema to see it this weekend but I think it’s out on streaming soon.
Yep usually a token release before hoying it on their platform.Aye I’m looking forward to this, I’m assuming it’ll be out next week. Don’t Netflix give it a week at the cinema before they release them now?
New Kathryn Bigelow film looks decent. Can’t get to the cinema to see it this weekend but I think it’s out on streaming soon.
On Netflix 24th October.Aye I’m looking forward to this, I’m assuming it’ll be out next week. Don’t Netflix give it a week at the cinema before they release them now?
.Sorcerer (1977) - Criterion 4K UHD
Brilliant. A superb example of 70s filmmaking.
Sparse dialogue allows the action, cinematography and setting to tell the story. Scheider is very good, but it’s Friedkin’s direction that’s the real star. He ramps up the tension so that you’re constantly on edge, and even the vaguest bump in the road causes you to wince. The famous bridge scene retains its brilliance, and several other sequences are pure tension. In fact, the bridge bit seems better than ever, with that roaring storm battering everything. The environment and weather both feel like antagonists.
I absolutely love the fact that it’s all proper practical effects. No shitty computer effects, no back projection - just real action, skilfully filmed. Tangerine Dream’s soundtrack is used sparingly, though effectively.
One of Friedkin’s three 70s masterpieces, and better with every watch. I even enjoyed the opening vignettes more than last time.
I couldn’t tell you whether or not the 4K master is better than that Blu-ray. Presumably so, but that’s not particularly important. What is important is that @Cockney Mackem stops messing about and buys one of the best films of the 70s in its premier presentational form.
9.5/10
Hopefully not too controversial but I always thought the opening vignettes were some of the best parts of the film.Sorcerer (1977) - Criterion 4K UHD
Brilliant. A superb example of 70s filmmaking.
Sparse dialogue allows the action, cinematography and setting to tell the story. Scheider is very good, but it’s Friedkin’s direction that’s the real star. He ramps up the tension so that you’re constantly on edge, and even the vaguest bump in the road causes you to wince. The famous bridge scene retains its brilliance, and several other sequences are pure tension. In fact, the bridge bit seems better than ever, with that roaring storm battering everything. The environment and weather both feel like antagonists.
I absolutely love the fact that it’s all proper practical effects. No shitty computer effects, no back projection - just real action, skilfully filmed. Tangerine Dream’s soundtrack is used sparingly, though effectively.
One of Friedkin’s three 70s masterpieces, and better with every watch. I even enjoyed the opening vignettes more than last time.
I couldn’t tell you whether or not the 4K master is better than that Blu-ray. Presumably so, but that’s not particularly important. What is important is that @Cockney Mackem stops messing about and buys one of the best films of the 70s in its premier presentational form.
9.5/10
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The Correspondent - A 2024 film starring Richard Roxburgh about the imprisonment of Australian journalist Peter Greste. 5/10 from me. Unfortunately this film is very slow and drawn out with no action at all.