HebburnMackem
Striker
I think you're over thinking things tbh... I agree with the artwork that you might want to get that spot on, but by and large correcting w/b in post production is a doddle, and being able to remove one colour selectively from an image is something you wouldn't learn relying in a grey card for everything.
There's also plenty of situations when shooting things like weddings where you don't have time to constantly whip out a grey card and fire off a test shot.
I can imagine they would be used a lot in product shots too where faithful colour reproduction is important too, especially food shots.
yep but theres plenty of times that you don't have time or the inclination to use a card so you take the pic knowing the kelvin temp of a tungsten lamp. If you weren't using artificial light you simply use the dabber to zoom into an area that roughly looks neutral then search for a pixel with the correct measure of R, G and B's. Its like a built in WB card and you save fannying on while shooting.
Don't get me wrong, using a card works, I just find it to add a step that isn't really needed these days with digital camera's and software.
Again that's subjective. Fine for most things I agree, but not for when the colours have to be exact.
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