Superman (2025)
7/10
Better than I expected, though as with all action movies these days it's hard to get invested in obviously CGI set-pieces. Can see why the storyline drove the right-wing nuts.
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Sullivan's Travels (1941)
9/10
A Hollywood director wants to make a 'serious' film, so tries to live as a hobo for research. I've always thought the tone is uneven, but in a supplement on the Criterion disc Bill Forsyth shows how Preston Sturges is deliberately using a compendium of cinematic styles: silent, screwball, slapstick, film noir, realism. But like Forsyth, I thought the ending trite and patronising.
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Land of Milk and Honey (1971)
6/10
Documentary by French avant garde director Pierre Etaix. Begins brilliantly, with the director himself getting swamped with film in the cutting room. But the rest was a run-of-the-mill evocation of the French working class on holiday, with vox pops about everything from sexuality, to architecture, to the moon landings.
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