Doogie Hauser
Midfield
As I say, it’s not top tier by any stretch. But it’s 70 odd minutes and entirely focused on the hunt. There’s a neat little scene with photo fit tech, too.Never heard of it. I’ll have a look. Cheers.
The shadows and angles aspect of the whole film noir apparently came from the 30s-40s influx of German and Eastern European Jewish film industry workers fleeing to the US. They were used to working quickly and cheaply and had developed the shadowy style to avoid having to dress a set up completely enough to resemble the room it was supposed to be. IE bedroom, living room, office etc etc.
It’s a fascinating era of filmmaking. I love the way that, like you describe, efficiency and corner-cutting led to something so iconic. They just look brilliant. The mood and atmosphere created is in stark contrast to the lavish, colour-saturated A list stuff. There’s probably a lot more depth involved in noir analysis, such as the way the photography captures the dialogue and narrative themes of pulp crime fiction, but it definitely all fits to create some amazing visuals. It’s the perfect storm of story and technique. I’ve seen colourised noirs and they look bloody awful, totally missing the point!